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JIANG ZHAOSHEN 江兆申
江兆申JIANG ZHAOSHEN
1925~1996 / 71歲 /   
He entered the Hanyu Hall and learned calligraphy, painting, poetry and literature. Eventually, Chiang was given the opportunity to view at first hand the works of the great masters at the Forbidden Palace Museum. With his industrious persistence Chiang finally became a great artist in his own right. Well-versed in all five major styles of calligraphy-semi-cursive script, regular seript, seal script, official script and cursive script-Ching executed his works in stele and script forms. His calligraphy was done in a vibrant and stylish manner and his works possess their own unique style. Apart from possessing the rustic feel of the ancient “Stone Drum” style, his seal and official script imitations also carry hints of restraint akin to that of Zhang Qian, as well as the luxuriant feel of the Huashan Mountains, with an overtone of ancient Qin and Han periods. Chiang's regular script focuses on the structure of Ouyang Xun of the Tang Dynasty, complemented by forceful strokes without being overly deliberate. Chiang's cursive hand was free-flowing and carrises a florish that gives it considerable life. Chiang's traditional paintings possess an interesting mix of both brosd stroke-work and fine details. Chiang's landscape paintings are superb in structure with exquisite details of high cliffs, streams and rocks amid overlays of broad strokes. Luxuriant hills are depicted in an unhurried manner and appear tp be shrouded in hazy mists. Chiang was uniquely capable of using a mildness of style and his unique and majestic style and his unique and majestic style was carried out using the tip of the brush. The ability he possessed in executing both casual and intense was truly remarkable. Indeed his landscape paintings at once possess the intonations of Yuan and Ming periods without deviating from the Tang and Song framework. This was all coupled with the Hanyu style that possessed an elegance that can only can bye described as heavenly. Put together, these elements make his paintings display an unmatched tranquility. Chiang's flora and fauna paintings capture the essence of the subjects and show a sense of tenderness despite the forceful strokes. Chiang's mastery of ink can also be seen in his paintings. It is firm but pleasant, with black ink interspersed with colors; the texture of hills and forests is clear, giving the viewer a sense of serenity. Colors do not overwhelm the ink; instead their light tones complement the ink to make the paintings appear life-like.
煙樹江村
煙樹江村
山水
山水
48.5×61 ㎝ / 5.3才 /
Mountain and Lake
Mountain and Lake1991 / Age64 /
143.5×370 ㎝ / 59才 /
溪山深翠
溪山深翠
138×68.5 cm / 10.5才 /
夏山欲雨
夏山欲雨
132.5×66cm / 9.7才 /
墨山圖
墨山圖
夏日遣暇
夏日遣暇1995 / age70 /
72×138 ㎝ / 11才/
Calligraphy
Calligraphy
Calligraphy
Calligraphy
行書五言對聯
行書五言對聯1995 / Age70 /
175×47 cm (每件)
行書七言對聯
行書七言對聯1994 / Age69 /
135.5×34.5 cm (每件)
​1996 - age 71 .
​1995 - age 70 .
​1994 - age 69 .
​1993 - age 68 .
​1992 - age 67 .
​1991 - age 66 .
​1990 - age 65 .
​1989 - age 64 .
​1988 - age 63 .
​1986 - age 61 .
​1973 - age 48 .
​1972 - age 47 .
​1970 - age 45 .
​1969 - age 44 .
​1968 - age 43 .
​1965 - age 40 .
​1963 - age 38 .
​1962 - age 37 .
​1961 - age 36 .
​1960 - age 35 .
​1959 - age 34 .
​1958 - age 33 .
​1957 - age 32 .
​1951 - age 26 .
​1950 - age 25 .
​1949 - age 24 .
​1948 - age 23 .
​1947 - age 22 .
​1945 - agae 20 .
​1943 - age 18 .
​1942 - age 17 .
1939 - age 14 .
​1935 - age 10 .
​1934 - age 09 .
​1933 - age 08 .
​1932 - age 07 .
​1931 - age 06 .
1925 - age 01 .
No data
CHIANG CHAO-SHEN SELECTIONS OF HIS WORKS OF ART
CHIANG CHAO-SHEN SELECTIONS OF HIS WORKS OF ART
江兆申作品集
江兆申作品集
江兆申、吳平、陳其寬、何懷碩、李義弘聯展-人間原來有此境
江兆申、吳平、陳其寬、何懷碩、李義弘聯展-人間原來有此境
CHINESE PAINYINGS BY CHIANG CHAO-SHEN ONE-MAN EXHIBITION
CHINESE PAINYINGS BY CHIANG CHAO-SHEN ONE-MAN EXHIBITION
江兆申戊辰山水冊一
江兆申戊辰山水冊一
江兆申戊辰山水冊二
江兆申戊辰山水冊二
江兆申作品集-墨池飛出北溟魚集
江兆申作品集-墨池飛出北溟魚集
CHIANG CHAO-SHEN Paintings and Calligraphy
CHIANG CHAO-SHEN Paintings and Calligraphy
江兆申作品集
江兆申作品集
江兆申 : 狂狷清勁的風骨
江兆申 : 狂狷清勁的風骨
THE STUDY OF CHIANG CHAO-SHEN’S CALLIGRAPGY
THE STUDY OF CHIANG CHAO-SHEN’S CALLIGRAPGY
江兆申書法作品集
江兆申書法作品集
江兆申書畫集
江兆申書畫集
江兆申行書小楷集
江兆申行書小楷集
江兆申0 (8)
江兆申0 (8)
江兆申0 (9)
江兆申0 (9)
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img040
江兆申作品集 : 詩文書畫篆刻
江兆申作品集 : 詩文書畫篆刻
江兆申書畫集-瀋陽
江兆申書畫集-瀋陽
江兆申書畫集 (上海)
江兆申書畫集 (上海)
嶽鎮川靈 : 江兆申書法特集
嶽鎮川靈 : 江兆申書法特集
LANDSCAPE OF THE SOUL CALLIGRAPHY AND PAINTING BY CHING CHAO-SHEN
LANDSCAPE OF THE SOUL CALLIGRAPHY AND PAINTING BY CHING CHAO-SHEN
FullSizeRender (23)
FullSizeRender (23)
A MEMORIAL EXHIBITION OF WORKS BY WORKS BY CHIANG CHAO SHEN
A MEMORIAL EXHIBITION OF WORKS BY WORKS BY CHIANG CHAO SHEN
江兆申特集 上
江兆申特集 上
江兆申特集 下
江兆申特集 下
FullSizeRender (13)
FullSizeRender (13)
SUR LES TRACES DE CHIANG CHAO-SKEN
SUR LES TRACES DE CHIANG CHAO-SKEN
FullSizeRender (16)
FullSizeRender (16)
img-325121251-1
img-325121251-1
FROM THE INKWELL FLIES THE FISH OF THE DARK NORTHERN SEA THE CALLIGRAPHY AND PAINTING EXHI
FROM THE INKWELL FLIES THE FISH OF THE DARK NORTHERN SEA THE CALLIGRAPHY AND PAINTING EXHI